Tag: Post-production
Blackmagic Design has released DaVinci Resolve 19.1.1, bringing a host of enhancements and fixes across its Edit, Fusion, Color, and Fairlight pages. Whether you’re a video editor, colorist, VFX …
FilmConvert has again extended its robust toolkit for filmmakers, introducing a new camera pack supporting the iPhone 16 Pro. This update, available for both FilmConvert Nitrate and CineMatch users, …
Kicking off the first day of Adobe MAX, the company has announced that native Camera to Cloud support through Frame.io is coming to the RED V-Raptor and V-Raptor XL, …
As a filmmaker you are destined to spend a lot more time in front of a computer screen then you are behind a camera. It’s an unfortunate reality of …
Adjustment layers are an incredibly powerful tool available in many Adobe products, including Premiere Pro. It is basically an empty layer on which you can place effects that will …
Sometimes everything lines up for a shot and sometimes it’s all but one part. Landscape photographers know what I’m talking about. The timing, the weather, the light, all that …
Even considering how often editors complain about how dysfunctional Premiere Pro has become it still holds its place as perhaps the most widely used NLE around for professionals and …
From the first days of digital filmmaking there has been a desire to recapture the “film look.” There’s just something about how film recorded an image that was missing …
Wouldn’t it be cool if you could hit export in Premiere Pro, walk away, and then get notified on your phone when the video is complete? I think so …
Over the years we have covered a lot of the different “best” export settings for various platforms and applications. We recently did exporting for DaVinci Resolve 18 as well …
There is a big decision that all filmmakers need to make about which NLE they should invest their time and money into for their work. It’s actually a good …
Green (and blue) screens have completely revolutionized filmmaking and the tools have only gotten more accessible to everyday shooters and editors. Advanced special effects are now possible for everyone. …
There are some fun effects you can pull off with surprisingly little effort in Premiere Pro – as long as you learn the best tools for the job. One …
There is a lot going on in the export menu for Adobe Premiere Pro. Actually, that goes for all the NLEs. This box is a mess of usually hard-to-understand …
There’s always something else to learn about editing. NLEs are loaded with features and shortcuts and hidden tricks that you will never be able to learn everything. If you …
Upgrading your audio setup usually involves going with dual-system sound. You will immediately see an improvement in audio quality. The only problem is that now you are going to …
Getting a clean key off a green screen is heavily dependent on how you shoot it. Taking the necessary steps and precautions to create a nice, evenly illuminated background …
Filmmaking is a collaborative endeavor. There are practically no experiences in video production are are completely independent and with the connected world we live in today there is always …
Among the mysteries of video editing is just how large the final edit will be after export. Adobe and other NLE developers have made some nice tweaks to their …
Sometimes flicker happens. Working events where there are always lights that are nice and decorative for the location but aren’t exactly tuned for video production. Weddings are likely a …