Video-Focused Canon RC Hybrid Rumored for 2025

If a new rumor is trustworthy, Canon could be developing a video-focused hybrid APS-C camera aimed at rivaling the Sony FX line of mirrorless cinema cameras.

This new camera seems to be a follow-up to the popular M series and targets content creators on platforms like YouTube.

Image Credit – Canon

While the camera will feature an APS-C style sensor and lens mount, details about the potential EOS RC mirrorless camera remain scarce.

However, many speculate it will adopt a body style similar to the EOS M6 Mk. II. If Canon intends to compete with Sony’s FX design, it may need to adjust its specifications accordingly.

Image Credit – SONY

The FX30 Super 35mm mirrorless camera, which shares a similar form factor with APS-C cameras, boasts a 20.1 MP CMOS image sensor capable of delivering over 14 stops of dynamic range, 5-axis in-body image stabilization (IBIS), and the ability to capture 4K video at up to 120 fps.

To compete, Canon’s RC cinema camera must at least match this performance, and ideally surpass it to attract users considering a switch from the FX30. A 6K option would be even more appealing.

The FX30 emphasizes enhanced audio performance with a video crop factor of 1.6x, built-in stereo microphone support, and external microphone connections, all while minimizing video image limitations.

Additionally, the Sony FX30 features phase detection autofocus and dual media card slots, supporting either CF Express Type A or SD cards.

It’s reasonable to expect that Canon will incorporate similar options into its compact design.

Moreover, the FX30 has an articulating, pull-out LCD touchscreen and offers a battery life of up to 175 minutes.

Canon typically excels in battery efficiency, and its pull-out swivel LCD design is mature and highly functional.

At this stage of development, the potential EOS RC will likely utilize an RF-S lens mount, rely on a DIGIC X image processor, and hopefully include second-generation Dual Pixel AF.

It is also logical to anticipate support for Canon Cinema RAW Lite, allowing for 10-bit 4:2:2 color.

However, it’s important to note that all of this is purely speculation. The RC could take a completely different design approach, or it may not exist at all.

Nonetheless, Canon Rumors has a reliable source, and their leaks are typically accurate. Only time will tell.

[source: Canon Rumors]

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